Starter track
Step 5 of 50 / 5 completeSound and Acoustics
Earlier steps still set up Resonance in Air Columns / Open and Closed Pipes.
Previous step: Doppler Effect.
Also in Waves.
Concept module
Compare open and closed pipe boundary conditions on one compact air column so standing-wave shapes, missing even harmonics, probe motion, and pressure cues stay tied to the same resonance state.
Interactive lab
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Stable links
Starter track
Step 5 of 50 / 5 completeEarlier steps still set up Resonance in Air Columns / Open and Closed Pipes.
Previous step: Doppler Effect.
Also in Waves.
Why it behaves this way
Air-column resonance is the sound-wave version of a standing-wave constraint. The tube length and the boundary conditions decide which standing-wave patterns can survive, so the allowed wavelengths and frequencies are not arbitrary.
This bench keeps one tube, one live probe parcel, and one authoritative resonance state in view. The tube picture, the displacement-shape graph, the harmonic ladder, and the probe trace all read from that same state, so open ends, closed ends, nodes, antinodes, and odd-only closed-pipe harmonics stay tied together.
Key ideas
Frozen walkthrough
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View plans1.2 m
2
2
34 m/s
1. Start from the boundary rule
2. Substitute the live tube
3. Compute the allowed resonance
Current resonance requirement
Boundary checkpoint
Make a prediction before you reveal the next step.
Check your reasoning against the live bench.
Common misconception
An open end should be a node because the air can move out of the tube there.
For parcel displacement, an open end is where the air can move most freely, so it behaves like a displacement antinode.
What becomes small at an open end is the pressure variation, which is why pressure nodes and displacement antinodes trade places.
Quick test
Misconception check
Question 1 of 4
Use the live bench to test the result before moving on.
Accessibility
The simulation shows one horizontal air column with a movable probe parcel inside the tube, a colored pressure ribbon, and a ruler underneath. The left end can switch between open and closed, the right end stays open, and optional overlays mark boundary rules, parcel-motion nodes and antinodes, and the complementary pressure pattern.
Changing tube length, boundary type, resonance order, probe position, or amplitude immediately updates the same tube view, displacement-shape graph, harmonic ladder, and probe-motion graph so the resonance state stays synchronized.
Graph summary
The displacement-shape graph plots signed parcel-motion scale against position in the tube, so zero crossings correspond to displacement nodes and the end behavior changes when the boundary condition changes.
The probe-motion graph plots one selected parcel in time together with its local envelope, while the harmonic ladder graph plots the allowed resonance frequencies for the current tube and makes the missing even harmonics in a closed-open pipe visible.
Keep the acoustics path going
Open the next concept, route, or track only when you want the current model to widen into a larger branch.
Explore how damping removes energy, how driving frequency changes amplitude, and why resonance becomes dramatic near the natural frequency.
Keep one compact sound bench while separating pitch from frequency, loudness from amplitude and an amplitude-squared intensity cue, and probe delay from the source sound itself.
Track fixed nodes, moving antinodes, and harmonic mode shapes on one live string while the same probe trace shows the underlying oscillation in time.