Traveling-wave model
Amplitude sets the vertical size, while wavelength and frequency set how the repeating pattern varies in space and time.
Concept module
Follow one traveling wave across the same medium and connect crest spacing, travel delay, source timing, and the relation v = f lambda on one honest live stage.
The simulation shows one source on the left launching a transverse traveling wave across a horizontal medium. A movable probe marks one downstream position on the wave, and optional overlays can label one wavelength, the source-to-probe delay, and the distance a crest covers in one period. A readout card summarizes the current wave speed, wavelength, frequency, period, probe position, and probe displacement so the key relation stays visible without leaving the stage. At t = 0 s, the traveling wave moves at 2.4 m/s with wavelength 1.6 m, so the source frequency is 1.5 Hz and the period is 0.67 s. The probe at x = 2.4 m is 1.5 cycles behind the source after a travel delay of 1 s, and its displacement is 3.67e-16 m.
Interactive lab
Keep the stage, graph, and immediate control feedback in one working view.
Time
0.00 s / 2.67 sLivePause to inspect a specific moment, then step or scrub through it.Wave Speed and Wavelength
One traveling wave, one movable probe, and linked space-time guides keep wave speed, wavelength, frequency, and period on the same live stage.
Wave state
Graphs
Switch graph views without breaking the live stage and time link.
Source and probe motion
Tracks the source point and one downstream probe on the same time axis, so travel delay and phase lag stay tied to the live stage.
Controls
Adjust the physical parameters and watch the motion respond.
Changes the wave height without changing v, lambda, f, or T.
Controls how quickly the crest train moves through the medium.
Controls the crest spacing along the medium.
Moves the live measurement point farther from or closer to the source.
More tools
Secondary controls, alternate presets, and less-used toggles stay nearby without crowding the main bench.
More presets
Presets
Predict -> manipulate -> observe
Keep the active prompt next to the controls so each change has an immediate visible consequence.
Try this
Equation map
Select a symbol to highlight the matching control and the graph or overlay it most directly changes.
Changes the height of the wave without changing how quickly crests travel or how far apart they are.
Equations in play
Choose an equation to sync the active symbol, control highlight, and related graph mapping.
More tools
Detailed noticing prompts, guided overlays, and challenge tasks stay available without taking over the main bench.
What to notice
Use one cue at a time. The best prompt should point at a real spatial or timing change that the current wave, graph, and overlays are already showing.
Try this
Why it matters
Guided overlays
Focus one overlay at a time to see what it represents and what to notice in the live motion.
Overlay focus
Marks one crest-to-crest spacing directly on the live wave.
What to notice
Why it matters
It keeps wavelength spatial and visible instead of treating it as a formula-only quantity.
Traveling-wave model
Amplitude sets the vertical size, while wavelength and frequency set how the repeating pattern varies in space and time.
Wave relation
Wave speed links the spatial spacing of crests to the time rate at which new cycles are launched.
Frequency and period
Frequency counts cycles each second, while period is the time for one full cycle.
Travel delay
A point farther from the source responds later because the disturbance still has to travel that distance through the medium.
Phase lag by position
Every extra wavelength of distance adds one full cycle of lag between the source and a downstream point.
Progress
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Try this setup
Copy the live bench state and reopen this concept with the same controls, graph, overlays, and compare context.
Stable links
Previous step: Simple Harmonic Motion.
Short explanation
A traveling wave ties together two kinds of spacing at once. Along the medium, lambda tells you how far it is from one crest to the next. At one point in the medium, the period tells you how long it takes for that pattern to repeat in time.
This lab keeps one source, one moving wave train, and one probe on the same compact stage so the relation v = f lambda stays honest. If a crest train moves faster through the medium, or if the crests are packed differently, the source timing and probe delay must change with it.
Key ideas
Live worked example
2.4 m/s
1.6 m
1.5 Hz
0.67 s
1. Start from the wave relation
2. Substitute the live values
3. Convert to a time period
Current timing
Common misconception
A faster wave must always have a higher frequency because it is moving more quickly.
Wave speed and frequency are not the same idea. Speed is how fast the pattern travels through the medium, while frequency is how often one point oscillates.
If the speed changes while the crest spacing stays fixed, the frequency changes. If the speed changes while the source frequency is fixed instead, the wavelength changes. The relation keeps all four quantities consistent.
Mini challenge
Prediction prompt
Check your reasoning
Quick test
Variable effect
Question 1 of 4
Choose one answer to reveal feedback, then test the idea in the live system if a guided example is available.
Accessible description
The simulation shows one source on the left launching a transverse traveling wave across a horizontal medium. A movable probe marks one downstream position on the wave, and optional overlays can label one wavelength, the source-to-probe delay, and the distance a crest covers in one period.
A readout card summarizes the current wave speed, wavelength, frequency, period, probe position, and probe displacement so the key relation stays visible without leaving the stage.
Graph summary
The displacement graph compares source motion with probe motion on the same time axis, so the user can read delay and phase differences honestly. The phase-map graph shows how many cycles of lag accumulate with downstream distance, and hovering that graph moves the live probe to the matching position.
Read next
These suggestions come from the concept registry, so the reason label reflects either curated guidance or the fallback progression logic.
See sound as a longitudinal wave by keeping parcel motion, compression and rarefaction, probe timing, and energy transfer tied to one compact medium-first bench.
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Track fixed nodes, moving antinodes, and harmonic mode shapes on one live string while the same probe trace shows the underlying oscillation in time.